Beloved children's author Dick King-Smith was born on
March 27, 1922. This gives you a good reason to celebrate in his honor with a
classic family film, Babe. This
film is an adaptation of The Sheep-Pig, one of over 130 books by the
author. So what is a “sheep-pig?” This story introduces a pig named Babe who
learns to herd sheep from Farmer Hoggett.
King-Smith was raised in Glouchestershire, England
and at the age of 19 enlisted as a recruit in the Grenadier Guards. He served
with distinction in World War II. Following four years of service, he married
and became a farmer. He had lots of farm
animals: cows, goats, hens, pheasants, and of course pigs. His love of animals and recognition of each
one's unique personalities provided tons of inspiration for his stories. King-Smith was also a primary school teacher
for several years and it wasn't until he was in his fifties that he decided to
begin writing stories about animals for children. Many of his stories have appeared
in film or television.
King-Smith talks about writing, 'Writing my books
is like handing out presents. Giving
children pleasure gives you a wonderful sort of Father Christmassy feeling.'
I chose to read a book about one of my favorite
creatures, the hedgehog ...titled The Hodgeheg. Victor Maximilian St
George, better known as Max, is a young smart hedgehog. With constant danger in crossing the road to
get to the park, he sets off in search of a way or place to cross safely. He
notices that traffic slows for pedestrians as they walk over white lines. Only this doesn't work for him since he is so
small drivers don't notice him. When trying to scramble to safety, he is hit by
a bicyclist and ends up with a bump on his head. The knock he took was a hard
one, leaving him with mixed-up speech. Hence, he becomes a 'hodgeheg.' I thought this was the funniest part of the
story. For instance, when his mother
asks if he is OK and he assures her he is by saying “I am quite KO.” He may have been OK, but he certainly was KO
(knocked out) too.
Through the course of King-Smith's story, Max studies
different methods of crossing used by humans. One place he discovers a “magic”
spot where a little man light turns green when it is safe to cross and red when
it isn't. He learns about the purpose
for sidewalks and discovers even more danger with a time of day known as rush
hour. Ultimately Max finds that traffic
stops for school children who are waved across by a lady with a “big lollipop.”
When thinking about how hedgehogs or other animals
might interpret of perceive the actions of humans it is quite amusing. I remember a recent news story where a woman
wrote letters and called in to television stations, asking that deer crossing
signs be moved to a lower traffic area. She was obviously convinced that deer
were reading the signs and thinking that it was safe for them to cross, even
though it was a busy road. “Why are we
encouraging deer to cross over the interstate?” she asked.
Whatever your favorite animal is I am sure there is a
charming Dick King-Smith book or film adaption that will captivate you no
matter what your age.
French author, Boris Vian (b. March 10, 1920) wrote L'Ecume
des Jours(Foam of the Daze)in 1947 and later it was translated to
English several times under different titles. The translated version I
read was published in 1967, by Stanley Chapman, and renamed again as Mood
Indigo. Chapman like Vian, was a member of the College of Pataphsyics. This
is a group who studies the 'science of imaginary solutions.' Principles of this science state that “the
world contains nothing except exceptions, and that a rule is precisely
an exception to the exception; as for the universe – that is the exception to
oneself.”
If you know jazz, than you know 'Mood Indigo' is also
the title of a famous Duke Ellington song.
Not to mention Mood Indigo was the name of a French film
(2014) based on Vian's novel. Some of my book club members couldn't find a copy
of the book, so reading subtitles had to suffice. If you are interested in seeing the movie, it
is available on Amazon Prime and interprets the book fairly well. Directed by
Michel Gondry (known for 'Eternal Sunshine of the Spotless Mind'), the film is
a quirky cult classic and easy to follow for non-French speaking viewers.
The story revolves around Colin and Chloe a young,
newly-married couple. All seems to be
fairy tale perfect as they meet, fall in love, and are married in an elaborate
wedding. While on their honeymoon, Chloe
falls ill and is diagnosed with a strange illness … a waterlily is discovered
on her lung. The only way to keep Chloe
alive, while waiting for medications and treatment to successfully kill the
waterlily, is to surround her with fresh flowers. Supposedly these flowers intimidate the
waterlily and keep it from growing larger.
Other characters in this sci-fi/romance that play key roles include
Nicholas, Colin's manservant, whose age mysteriously begins to accelerate as
Chloe grows sicker. And Chick, friend and best man for Colin, a compulsive
collector of anything written by or associated with philosopher Jean-Pulse
Harte … actually Vian's spoof of Jean-Paul Sarte, real life French philosopher
and close friend. Last but not least, there is an adorable mouse who lives in
the couple's apartment and contributes to the story in a sort of Jiminy Cricket
kind of way.
Back to the Jazz
connection, Mood Indigo is full of musical references. When compiled they make a fantabulous Spotify
playlist including songs such as: Black and Tan Fantasy, Loveless Love, Mood to
Be Wooed, Slap Happy, Misty Morning, Blue Bubbles, and of course the song
'Chloe' used by Vian as the name of his main character. Vian is an accomplished trumpeter with
several excellent recordings of his own. His most famous piece was an anti-war
song entitled, "Le Déserteur" (The Deserter). I also discovered an album
by Dazie Mae, 'Froth
on the Daydream' that tells the story of Colin and Chloe. I highly
recommend this collection of songs styled in hypnotic jazzy blues with a touch
of country and Cabernet too!
Vian had expertise in many areas not only as an
accomplished writer and poet, but also as a musician, singer, translator,
critic, actor, inventor, and engineer. He was a real “Renaissance Man.” After
reading this book I researched the author and am convinced that his many
talents are incorporated in the characters and setting of his novel. In fact, this story is so surreal some would
say the author had to have been on a hallucinatory dream ride when creating it.
For example, there is Colin's bizarre invention, a pianoctail – a piano that
mixes cocktails according to notes played. When Colin's finances are depleted
after buying flowers for Chloe, he takes a job in an ammunition factory where
the technique for making bullets and weapons requires the use of body heat.
When discussing the book, we all agreed that Vian's
writing style was lush and lyrical. Here is a favorite quote from the novel to
illustrate the author's way with words:
At the spot where a river joins the ocean there is
a barrier that is very difficult to navigate. Wrecked ships dance helplessly in
the great eddies of foam. Between the
night outside and the light of the lamp, memories flowed back from the darkness
of the past, banging against the light and immersed in its glow, gleaming and
transparent, flaunted their white fronts and their silver backs.
Vian is also well known for a series of criminal
fiction parodies, published under the pseudonym Vernon Sullivan. Several of
these stories where made into films during his lifetime. Ironically Vian died in 1959 at the screening
for the film version of his book I Will Spit on Your Graves. He was
enraged over the producers' interpretation of his work and publicly denounced
the film, calling for his name to be removed from the credits. Just before
going into cardic arrest, he blurted out last words: “These guys are supposed
to be American? My ass!”
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